Like Pachmann, Cortot was dismissed for much of the 20th century because he missed a couple of notes. The fact that he was one of the greatest musicians ever to touch a keyboard didn't seem to matter. My piano teacher whom I won't name but whose initials were Wha-Kyung Byun told me in a lesson, "In Korea, I listened to Cortot recordings, because that's all there was."
http://www.youtube.com/watch?v=o8E_0glY3nI&feature=related